I've done quite a bit of speaking, teaching, preaching, Zoom conferencing, writing, and other ministry in recent months, but it was particularly lovely today, in our parish marking of the Season of Creation, to be back behind the altar - or (holy) table (depending on your theological outlook). It might have happened earlier but COVID Safe issues have restricted opportunities. It was only afterwards however, reflecting partly on why I was so moved, that I realised something else. This wasn't just the first time I've personally presided at the eucharist after my surgery earlier this year, but it was almost certainly the first time that a post-GRS transgender woman had ever publicly presided at the eucharist in Australia with full canonical order (there are others, treasured by me, who have gone before, but in different ways). Maybe transubstantiation or scholastic ‘real presence’ were not involved, but it was definitely about really present love and substantially transforming - bodily and spiritually breaking open to new creation for all. One more step along the way... 😻🙏🦋
#transinggod #miltonanglican #eucharistisforall
Mary walks with Eve (A New Dawn)
How do you picture a new beginning - or. alternatively, offer a revelation of eternal (re)creation? As an epic year of many new beginnings in my family's life comes towards a close, it was terrific today to find this picture from the art exhibition we held in St Luke's Toowoomba a year ago. Entitled Mary walks with Eve (A New Dawn), it was painted (in oil) by Toowoomba artist Cindy Duncan. It was but one of many wonderful different views into the Advent and Christmas story which that exhibition encouraged us to explore. How does it then speak to you, I wonder? For me, it is a beautiful female expression of the new dawn, or new creation, which we find spiritually and symbolically in the Judaeo-Christian story. Of course Cindy is not the first to pick up on the idea of Mary as the New Eve (a theme which can be found in much Christian feminism from its first wave onwards). I love this particular portrayal however, especially for the tenderness of the exchange between Eve and Mary, and for the sparkle (of course!), stars and Spirit (symbolised by the dove) which speak of new creation (linking past, present and future, in a very humble and accessible, yet powerfully cosmological manner). The two trees offer a different kind of balance than some, often very harsh and crude, traditional 'male' portrayals of a very singular tree of life. Like the 'northern lights' (and their declaration/promise of eternal light), the colours of the (heavenly) background also dance into the (earthly) foreground as the two women connect. Above all perhaps, it is an image of fruitfulness, with Eve still holding the apple and adorned with a garland and her flowing locks, and Mary's pregnant form promising a rich new unfolding. Even the snake is a colourful green and Mary's foot upon it a less violent redemptive check than many others. In recapitulating, and transforming, the so-called theological "Fall', this is not therefore about judgement and destruction, but mercy and renewal. In Mary there is thus a gathered stillness as she meets the moving vulnerability of Eve, and there is a deep acceptance of one another and all they are: a mutual encounter of a very human but divinely healing and enriching kind. At the end of a year of great upheavals, in many of our personal lives and publicly (not least in relation to marriage equality and LGBTI+ affirmation), it is a delightful vision of both same sex/gender love and the divine feminine at work. It certainly speaks deeply and intimately to me about how God in Mary has met, and continues to meet, the Eve in me. May it therefore be a further blessing to others this Christmas and to all who need transformation.
The Revd Dr Jo Inkpin: